Patent 10165324

Obviousness

Combinations of prior art that suggest the claimed invention would have been obvious under 35 U.S.C. § 103.

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Obviousness

Combinations of prior art that suggest the claimed invention would have been obvious under 35 U.S.C. § 103.

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Under 35 U.S.C. § 103, an invention is considered obvious if "the differences between the claimed invention and the prior art are such that the claimed invention as a whole would have been obvious before the effective filing date of the claimed invention to a person having ordinary skill in the art to which the claimed invention pertains." The analysis involves determining the scope and content of the prior art, ascertaining the differences between the claimed invention and the prior art, and resolving the level of ordinary skill in the pertinent art. A person of ordinary skill in the art (PHOSITA) is a hypothetical individual who possesses the normal skills and knowledge in a particular technical field, but is not a genius, and is presumed to have known all relevant prior art at the relevant time. The PHOSITA is also a person of ordinary creativity, not an automaton, and can fit the teachings of multiple patents together like pieces of a puzzle.

US Patent 10165324 generally claims systems and methods for tracking a user's viewing progress through episodic media and filtering other content (e.g., spoilers) based on that progress. The priority date for this patent is December 29, 2005.

Level of Ordinary Skill in the Art:

A person of ordinary skill in the art (PHOSITA) in the context of US10165324 would be an individual with a bachelor's degree in computer science or a related engineering field, coupled with several years of experience in developing interactive media systems, particularly those involving media guidance applications, digital video recorders (DVRs), video-on-demand (VOD) services, and client-server architectures for content delivery. They would be familiar with database management for user profiles, content metadata, and real-time content filtering techniques.

Prior Art References and Obviousness Combinations:

The patent itself identifies several areas of prior art and references, including:

  • Interactive media environments allowing users to customize their experience, display program reminders, record media, search for content, and enforce parental controls.
  • Interactive television program guides providing listings, summaries, pay-per-view (PPV), and web browsing.
  • VOD and DVR services enabling time-shifted viewing.
  • Non-television-centric platforms distributing media with equipment not part of traditional broadcast/cable/satellite networks, such as online applications or stand-alone clients on handheld devices.
  • Remote recording systems as described in Ellis et al. U.S. Patent Application Publication Nos. 20030149988 and 20050229213.
  • Metadata-linked content systems as described in Moore et al. U.S. Patent Application Publication No. 20010047298.

Let's consider combinations of prior art that would likely render the claims of US10165324 obvious.

Combination 1: Interactive Media Guidance + VOD/DVR + User Profiles + Content Filtering (General Concepts)

  • Prior Art Elements:

    • Interactive media environments and guidance applications: The patent acknowledges that interactive media environments already allowed users to customize their media experience, display program reminders, record content, search, and enforce parental controls. Interactive television program guides were well-known for navigating and locating programming, including traditional broadcast, cable, satellite, and Internet-based content, as well as VOD and PPV.
    • VOD and DVR services: The patent explicitly states that "Known interactive media environments through the use of DVR, VOD, and other similar services, allow a user to become disconnected with the rigid broadcast schedule of media content. Users may then watch the media content at the user's own pace."
    • User profiles/preferences: The patent describes "learning user preferences for recommending movies" as a management operation performed by servers (H04N21/25891) and clients (H04N21/4532). The idea of storing user preferences and data for personalized experiences was already established in interactive media systems.
    • Content filtering/management: The patent's classification includes H04N21/44204 "Monitoring of content usage, e.g. the number of times a movie has been viewed, copied or the amount which has been watched" and H04N21/44222 "Analytics of user selections, e.g. selection of programmes or purchase activity," indicating that monitoring and analyzing user interaction with content was known.
  • Motivation to Combine: A PHOSITA would have been motivated to combine these elements to enhance the user experience in interactive media environments, particularly as VOD and DVR services grew in popularity, allowing users to watch content "at their own pace." As users consumed serial content asynchronously, the problem of "spoilers" or irrelevant content becoming more pronounced would have naturally arisen. The motivation would be to provide a more personalized and seamless viewing experience by ensuring that all displayed content (including advertisements, news, etc.) is consistent with a user's actual viewing progress, not just what has been broadcast. This is a predictable improvement in user satisfaction and engagement.

  • Obviousness Argument (針對 Claim 1 & 8): Given that interactive media environments already offered personalized features, time-shifted viewing, and the ability to track user activities (like viewing habits), a PHOSITA would find it obvious to extend existing user profile mechanisms to include specific viewing progress within a series. Once such progress is tracked, it would be a logical and predictable step to use this information to filter out or replace "inconsistent media content" (e.g., spoilers) that could detract from the user experience, especially for serial programming. The concept of filtering content based on user preferences or demographics was known, and extending this to filter based on viewing progress within a series is a straightforward application of existing techniques to a recognized problem in asynchronous content consumption. The patent itself highlights that "Known interactive media environments do not track and report a user's progress through a series of related programming... [and] also do not filter other media content... so that this other content is consistent with the user's media viewing progress." This statement implicitly defines the gap that a PHOSITA would be motivated to fill to improve user experience.

Combination 2: Remote Recording/Playback (Ellis et al.) + User Profiles + Content Filtering

  • Prior Art Elements:

    • Ellis et al. U.S. Patent Application Publication Nos. 20030149988 and 20050229213: These references describe systems for remote recording of media content. This means that the concept of controlling media playback and recording from a remote location was known.
    • User profiles/preferences: As discussed above, the existence of user profiles for storing preferences and tailoring content was part of the common knowledge in interactive media.
    • Content filtering/management: The general idea of filtering or customizing content based on user data was also known.
  • Motivation to Combine: A PHOSITA would be motivated to combine the remote recording/playback capabilities of Ellis et al. with user profiling and content filtering. If a user can remotely manage their recordings, it follows that their viewing progress, potentially across multiple devices (including remote ones), should also be managed and reflected. The motivation is to provide a consistent and seamless user experience regardless of where or how the user accesses their media, preventing spoilers or irrelevant content from being displayed even when interacting with a remote system. This addresses the problem of maintaining a personalized and spoiler-free environment in an increasingly distributed media consumption landscape.

  • Obviousness Argument (針對 Claim 14 & 16 - Portable Profile): The concept of a "portable" media profile (stored on a network device and accessible from various user equipment) naturally flows from the known functionality of remote recording systems and existing user preference management in client-server architectures. If a user can initiate a recording remotely (as in Ellis et al.), it implies a centralized or network-accessible storage of user-related data. A PHOSITA would find it obvious to extend the scope of such network-stored user data to include viewing progress of episodic content. Once this profile is portable, applying content filtering based on this portable profile to any connected user equipment becomes a straightforward implementation of known filtering techniques to the now-centralized user data. The desire for a consistent user experience across multiple devices would be a strong motivator for this combination.

Combination 3: Metadata-linked Content (Moore et al.) + Interactive Program Guides + User Profiles/Progress Tracking

  • Prior Art Elements:

    • Moore et al. U.S. Patent Application Publication No. 20010047298: This reference describes a system for delivering metadata-linked content. The patent US10165324 itself refers to using "media profile flags" which are a form of metadata.
    • Interactive program guides: These guides already provide detailed information about programs (e.g., titles, descriptions, schedule information, genre).
    • User profiles/progress tracking: As discussed, the concept of user profiles and general activity tracking was known.
  • Motivation to Combine: A PHOSITA would be motivated to combine metadata-linked content systems with interactive program guides and user profiles to create a more intelligent and responsive media environment. By linking descriptive metadata (like "profile flags" indicating program series, season, and episode) to media content (as taught by Moore et al.), and integrating this with user viewing progress stored in a profile, the system can make informed decisions about what content is relevant or potentially a spoiler. The motivation is to automate the process of identifying inconsistent content and enable dynamic content substitution, building on the existing concept of metadata-driven content management and personalized user experiences.

  • Obviousness Argument (針對 Claim 1 & 8 - Filtering Mechanism): Given that metadata could be associated with media content (Moore et al.), and interactive program guides provided rich program information, a PHOSITA would find it obvious to enhance this metadata to include indicators of episodic relationships (e.g., season, episode numbers) and "spoiler" potential. Integrating this granular metadata with a user's viewing progress (which is a natural extension of existing user preference tracking) would enable the automatic identification and filtering/replacement of inconsistent content. The "dynamic filter to analyze incoming media content in real-time" and replace it with "alternate content so as to be consistent with the user's current viewing progress" is a predictable application of known content management and personalization techniques, utilizing readily available metadata.

In summary, the core inventive concepts of US10165324, while addressing a real-world user problem, appear to be combinations and extensions of existing technologies and known solutions within the interactive media and content delivery domain. A person of ordinary skill in the art, driven by the desire to enhance user experience in asynchronous media consumption, would have found sufficient motivation to combine these prior art elements in the manner claimed.

Generated 5/26/2026, 12:48:24 AM